By Genre

Orchestra

Magic City  for orchestra, 10:00, 1999
Setting Century  in three movements for orchestra, 15:00, 2003.
Urban Myths  for youth orchestra in three movements: The Babysitter, Roswell, and The Hook, 12:00, 2009
Nine Churches  for guitar quartet and chamber orchestra, 9:30, 2007.
With Sighs Too Deep for Words  for cello and orchestra, 25:00, 1999
Strata  for orchestra, 7:30, 2005
Beijing for orchestra, 7:00, 1989

Band

Fission for wind band, 9:00, 2013

Chamber Ensemble:

Heroic Measures for clarinet, violin and piano, 9:00, 2014
Mechanisms for flute ensemble, 8:00, 2012
Big Fun for baritone saxophone and piano, 6:00, 2012
Cascade for saxophone ensemble, 6:00, 2012
The Road to Damascus for string quartet, 10:00, 2010
three small gestures for violin and guitar, 7:30, 2006
centro for violin and piano, 7:30, 2005
Monumenti for violin and cello, 8:00, 2005
Lost in Translation for soprano saxophone/piano, 6:00, 2005
Taut for guitar quartet, 6:00, 2003
Drift for saxophone quartet, 6:00, 2002
Jerusalem Windows for violin, cello and piano, 10:00, 2002
Setting Century for flute, clarinet, violin, cello and piano, 15:00, 1999
Dances for clarinet, marimba and piano, 15:00, 1996
Chemistry for chamber orchestra, 10:30, 1993
Fury’s Chalice for wind octet, 9:00, 1992
Slow Dance for clarinet, marimba and piano, 7:00, 1992

Solo Instrumental

I Feel Fine for classical guitar, 10:00, 2013
Echoi for French horn solo, 1:00, 2011
Tapping the Furnace for percussion solo, 16:30, 2006
Needlepoint for guitar solo for Paul Bowman, 7:30, 2004
Time Management for double bass solo for Robert Black, 12:00. 2004
Trembling for solo flute for Donald E. Ashworth, Jr, 8:00, 1998
Echo for solo horn, 7:30, 1996
“drowningXnumbers” for amplified solo cello, 9:00, 1994-1995
Beyond the Cloud of Unknowing for solo marimba, 9:00, 1992,  rev. 1993
Soliloquy for clarinet, 8:00, 1991

Keyboard

Swell for organ, 6:00, 2005
The Steinway Preludes for piano, 15:00, 2004
fin de cycle for piano and tape, 9:00, 1997.
Forward Looking Back solo piano suite, 15:00, 1991-1992

Opera/Youth Opera

Louise: the Story of a Magdalen, libretto by Sally M.  Gall opera, chamber orchestra. 90:00, 2000.
Pandora’s Box lyrics by Dorothy Hindman, for elementary school choir and piano, 20:00, 1999

Choral/Choral Orchestral

You Shall Not Go Down for men’s chorus, 4:00, 2010
Prothalamia: A Celebration of Marriage for All for men’s chorus and organ, 30:00, 2010
Sursum Corda for a capella mixed choir, 4:00, 2008
Of the Father’s Love Begotten anthem for SATB choir and organ, 3:00, 2000.
Psalm 121 for a capella mixed choir, 4:30, 2000. 
Incarnation for a capella women’s choir, 2:30, 2008.
Incarnation for a capella mixed choir, 2:30, 1998.
Resurrection for a capella mixed choir, 2:30, 1997-98.
I Have Heard… a capella arrangement of Mvt. II of Songs of Myself, 5:00, 1996.
Songs of Myself for chorus and orchestra, 30:00, 1993-1994

Vocal/Vocal with Ensemble

The Pillow Book for mezzo soprano, alto saxophone, violin, cello and piano, 14:00, 2008.
Is this then a touch? for baritone and piano, 5:00, 2006.
Three Songs of Reminiscence for tenor and piano, 12:00, 1997.
Song Cycle for soprano and four-hand piano, in conjunction with Charles Norman Mason, 30:00, 1995-96.
From Censer Smoke… for soprano, flute, violin, guitar and marimba, 6:00, 1994.
Songs of the First Year for mezzo-soprano, clarinet, viola, cello, celesta and piano, original texts, 15:00, 1989

Digital Media

1000 Swimmers in the Canals for 2 electric guitars, keyboard, and live processing, 2013
Sound/Water for cello and soundfile, 2011
The Wall Calls to Me for soundfile (mp3) and 8 channels, for visual art installation by Sally Johnson, 10:00 running continuously, 2010.
Fantasia for Karen Alone for violin and soundfile 2010.
Multiverses for marimba solo with Max/MSP or marimba quartet, 8:00
Italian Dreams for soundfile (mp3), for video installation by Carrie Mae Weems, 8:00, 2006.
Seconds for soundfile (5.0 surround, stereo versions), 1:00, 2005.
Tonal Music for cell phone ensemble, 10:00, 2004.
Electronic score and effects for the Carbonell award-winning play PAPA, premiering Oct. 1987, Colony Theatre, Miami.  Reworked for run in Key West, April 1990, Jan McArt’s Cabaret Theatre.

 By Date

2015

Entwined for clarinet and saxophone, 10:00
Rough Ride for cello solo, 8:00
Mirror Etudes for piano, 6:00
R.I.P.T. for speaking saxophonist and speaking percussionist, 12:30

2014

Heroic Measures for clarinet, violin and piano, 12:30

2013

Fission for wind band, 9:00
1000 Swimmers in the Canals for 2 electric guitars, keyboard, and live processing
I Feel Fine for classical guitar, 10:00

2012

Mechanisms for flute ensemble, 8:00
Big Fun for baritone saxophone and piano, 6:00
Cascade for saxophone ensemble, 6:00

2011

Echoi for French horn solo, 1:00
Sound/Water for cello and soundfile

2010

The Road to Damascus for string quartet, 10:00
You Shall Not Go Down for men’s chorus, 4:00
Prothalamia: A Celebration of Marriage for All for men’s chorus and organ, 30:00
The Wall Calls to Me for soundfile (mp3) and 8 channels, for visual art installation by Sally Johnson, 10:00 running continuously
Fantasia for Karen Alone for violin and soundfile

2009

Multiverses for marimba solo with Max/MSP or marimba quartet, 8:00
Urban Myths for youth orchestra in three movements: The Babysitter, Roswell, and The Hook, 12:00

2008

Sursum Corda for a capella mixed choir, 4:00
Incarnation for a capella women’s choir, 2:30
The Pillow Book for mezzo soprano, alto saxophone, violin, cello and piano, 14:00

2007

Bathtime for soundfile (stereo), 1:00
Nine Churches for guitar quartet and chamber orchestra, 9:30

2006

three small gestures for violin and guitar, 7:30
Tapping the Furnace for percussion solo, 16:30
Is this then a touch? for baritone and piano, 5:00
Italian Dreams for soundfile (mp3), for video installation by Carrie Mae Weems, 8:00

2005

Strata for orchestra, 7:30
centro for violin and piano, 7:30
Monumenti for violin and cello, 8:00
Lost in Translation for soprano saxophone/piano, 6:00
Swell for organ, 6:00
Seconds for soundfile (5.0 surround, stereo versions), 1:00

2004

Needlepoint for guitar solo for Paul Bowman, 7:30
Time Management for double bass solo for Robert Black, 12:00
The Steinway Preludes for piano, 15:00
Tonal Music for cell phone ensemble, 10:00

2003

Taut for guitar quartet, 6:00
Setting Century in three movements for orchestra, 15:00

2002

Drift for saxophone quartet, 6:00
Jerusalem Windows for violin, cello and piano, 10:00

2000

Louise: the Story of a Magdalen, libretto by Sally M.  Gall opera, chamber orchestra. 90:00
Of the Father’s Love Begotten anthem for SATB choir and organ, 3:00
Psalm 121 for a capella mixed choir, 4:30 

1999

Setting Century for flute, clarinet, violin, cello and piano, 15:00
Pandora’s Box, lyrics by Dorothy Hindman, for elementary school choir and piano, 20:00
With Sighs Too Deep for Words for cello and orchestra, 25:00
Magic City for orchestra, 10:00

1998

Trembling for solo flute for Donald E. Ashworth, Jr, 8:00
Incarnation for a capella mixed choir, 2:30
Resurrection for a capella mixed choir, 2:30

1997

fin de cycle for piano and tape, 9:00
Three Songs of Reminiscence for tenor and piano, 12:00

1996

Dances for clarinet, marimba and piano, 15:00
Echo for solo horn, 7:30
I Have Heard… a capella arrangement of Mvt. II of Songs of Myself, 5:00

1995

Song Cycle for soprano and four-hand piano, in conjunction with Charles Norman Mason, 30:00
“drowningXnumbers” for amplified solo cello, 9:00

1994

From Censer Smoke… for soprano, flute, violin, guitar and marimba, 6:00
Songs of Myself for chorus and orchestra, 30:00

1993

Chemistry for chamber orchestra, 10:30
Beyond the Cloud of Unknowing for solo marimba, 9:00 

1992

Fury’s Chalice for wind octet, 9:00
Slow Dance for clarinet, marimba and piano, 7:00
Forward Looking Back solo piano suite, 15:00

1991

Soliloquy for clarinet, 8:00

1989

Beijing for orchestra, 7:00
Songs of the First Year for mezzo-soprano, clarinet, viola, cello, celesta and piano, original texts, 15:00

1987

Electronic score and effects for the Carbonell award-winning play PAPA, premiering Oct. 1987, Colony Theatre, Miami.  Reworked for run in Key West, April 1990, Jan McArt’s Cabaret Theatre.