Upcoming Performances

WORLD PREMIERE:
Orchids Grow Here (in progress)
for winds, brass and percussion, commissioned by The Florida Orchestra,
February 16, 2018, 8:00pm – Tampa, Straz Center (STRAZ);
February 17, 2018 at 8:00pm – St Petersburg, Mahaffey Theater (MAH)
February 18, 2018 at 7:30pm – Clearwater, Ruth Eckerd Hall (REH)

Recent Performances

three small gestures performed by Federico Bonacossa, guitar, and Evgeniya Antonyan, violin, Compositum Musicae Novae series, July 21, 2017, 8pm. Coral Gables Museum, FL More info.

Cascade for saxophone quartet performed by the Hippocrene Saxophone Quartet, Accidental Music Festival Marathon, May 20, 2017, 1 – 10pm. 80 W Grant St Suite 117, SoDo District, Orlando, FL

Monumenti performed by Mari Liis Pakk, violin, and Jason Calloway, cello, ISCM New Music MIami Festival series, April 20, 2017, 7:30pm, Miami Beach Urban Studios

Rough Ride from the Trademarking Trayvon cycle performed by Craig Hultgren, cello. March 30, 2017, 8:00pm. Frost Winter Heat Music Festival: Into the Rough, Gusman Concert Hall, Coral Gables, FL

Monumenti performed by Mari Liis Pakk, violin and Jason Calloway, cello, Frost Winter Heat New Music Festival series, February 18, 2017, 4:00pm, Gusman Concert Hall, Coral Gables, FL

Cascade for saxophone ensemble performed by the Hippocrene Saxophone Ensemble, directed by George Weremchuk, February 14, 2017, Rehearsal Hall Auditorium, University of Central Florida, Orlando, FL

Mechanisms performed by the Frost Flute Ensemble featuring Trudy Kane, January 24, 2017, FESTIVAL MIAMI, Gusman Concert Hall, Frost School of Music, Coral Gables, FL

Monumenti performed by Mari Liis Pakk, violin, and Jason Calloway, cello, January 20, 2017, 7:30pm, Miami Beach Urban Studios

The Steinway Preludes and Forward Looking Back performed by Jacob Mason, plus additional contemporary works for classical piano. The composer will introduce her music during the performance. January 6, 2017. The REP Theater, Escape2Create series, Seaside, FL More info.

Mechanisms performed by the Frost Flute Ensemble featuring Trudy Kane, director, and Alexander Magalog, conductor, Friday, December 16, 2016, 10:45am. The Midwest Clinic International Band and Orchestra Conference, Ballroom W190, McCormick Place West, Chicago, IL

Rough Ride from the Trademarking Trayvon cycle performed by Craig Hultgren, cello. Tuesday, November 29, 2016, 7:30pm. Grinell College, IA

Rough Ride from the Trademarking Trayvon cycle performed by Craig Hultgren, cello. Friday, November 18, 2016, 7:30pm. Rammelkamp Chapel, Illinois College, Jacksonville, IL

Rough Ride from the Trademarking Trayvon cycle performed by Craig Hultgren, cello. Wednesday, November 16, 2016, 7:30pm. Interlochen Arts Academy, interlochen, MI

Tonal Musicfor ensemble performed by the Frost Electronic Music Ensemble (FEME), Juraj Kojs, director, November 15, 2016, at 8:00pm. Clarke Recital Hall, Frost School of Music, University of Miami, FL. More info.

WORLD PREMIERE:
Setting Century Symphony,performed by the Frost Symphony Orchestra, conducted by Thomas Sleeper. October 15, 2016, 8pm. Also, Beethoven Symphony No. 7, Sibelius Finlandia, and Roberto Sierra Sinfonia No. 3. Gusman Concert Hall, Frost School of Music, Coral Gables, FL More info. Tickets.

The Steinway Preludes,performed by Jacob Mason, piano. Kaleidoscope Piano Concert Series. Thursday, April 28, 2016 at the Steinway Piano Gallery, Coral Gables, FL

Drift performed by the Caprice Saxophone Quartet on their Spring tour, Sunday, April 17, 2016, time TBA, Spirit of Christ Lutheran Church, Ham Lake, MN. Drift was a winner of the Caprice Saxophone Quartet call for scores, 2015.

Drift performed by the Caprice Saxophone Quartet on their Spring tour, Friday, April 16, 2016, 7:30 p.m. Studio Z: 275 East 4th Street, Suite 200, Saint Paul, MN. Drift was a winner of the Caprice Saxophone Quartet call for scores, 2015.

Drift performed by the Caprice Saxophone Quartet on their Spring tour, Friday, April 8, 7 p.m. at St. Luke’s Lutheran Church, Bloomington, MN. Drift was a winner of the Caprice Saxophone Quartet call for scores, 2015.

R.I.P.T. performed by Bent Frequency Duo on SOUNDNOW: BENT FREQUENCY AT MOCA. Thursday, April 7, 2016 8pm, Museum of Contemporary Art (MOCA), Atlanta, GA.

Three Songs of Reminiscence performed on New American Voices, Saturday, March 26, 2016, 7pm. Clarke Recital Hall, Frost School of Music, University of Miami, FL

Time Management featuring bassist Robert Black, March 16, 2016, University of Miami Frost School of Music, Coral Gables, FL

Rough Ride from the Trademarking Trayvon cycle performed by Craig Hultgren, cello. Friday, March 11, 2016, 7:30pm. Martin Institute Auditorium, Stonehill College, Easton, Massachusetts.

SPECIAL EVENT: March 8, 2016: DOROTHY HINDMAN @ 50: A Chamber Music Retrospective, Weill Hall at Carnegie Hall
Featuring R.I.P.T., Time Management, Drift, I Feel Fine, Tapping the Furnace, The Steinway Preludes, Heroic Measures, You Shall Not Go Down, more.
Special Guest Performers include:
Robert Black, double bass, Empire City Men’s Chorus, Pulse Ensemble, Bent Frequency Duo, Dale Underwood, saxophonist, Craig Hultgren, cellist, Paul Bowman, guitarist,  Stuart Gerber, percussionist, Jacob Mason, pianist,  and Frost Saxophone Quartet

Rough Ride from the Trademarking Trayvon cycle premiere preview by Craig Hultgren, cello. Monday, March 7, 2016, 7:30pm. Gallery MC, 549 West 52nd Street, 8th Floor (Between 10th and 11th Avenue) Manhattan, NYC. | Phone: 212.581.1966 | E-mail: INFO@GALLERYMC.ORG

Is This Then A Touch? performed by Jennifer Beattie, Voice, and Adam Marks, piano, Friday, February 26, 2016, 7pm. on Acoustica 21 at the Chapel of the Venerable Bede, 1150 Stanford Drive, University of Miami, FL For more information and concert series, check out FETA Foundation

Setting Century for Pierrot ensemble performed on the Other Music Festival Shawn Crouch, conducting. Saturday, January 31, 2016, 8pm. Gusman Concert Hall, Frost School of Music, Coral Gables, FL

Tapping the Furnace for speaking percussionist performed by Stuart Gerber in a joint concert with flutist Molly Barth. Wednesday, January 6, 2016, 7:30pm. Beall Concert Hall, University of Oregon School of Music and Dance.

Setting Century for Pierrot ensemble performed on the Other Music Ensemble’s “Sacred Spaces” concert, Shawn Crouch, conducting. Saturday, December 5, 2015, 8pm. Nancy Green Rehearsal Hall, Frost School of Music, Coral Gables, FL

Taut for guitar quartet performed by the Corona Guitar Kvartet (Per Dybro Sørensen, Volkmar Zimmermann, Kristian Gantriis, Michael Norman Sørensen), November 15, 2015. Mariendal Kirke, Frederikberg, Denmark

I Feel Fine International PREMIERE, featuring guitarist Mikkel Andersen,November 12-22, 2015 Festival de Musica Contemporanea de Habana, Havana, Cuba.
Additional tour dates include:
Guantanamo, Cuba
Las Tunas, Cuba
November 14, 2015, Acoustica 21, Harold Golen Gallery, Wynwood, FL

The Steinway Preludes, featuring pianist Jacob Mason, Society of Composers, Inc. National Conference, on Thursday, November 12, 2015 at the University of Florida, Gainesville.

Tolling from the Setting Century Symphony, featuring the Greater Miami Youth Symphony, conducted by Huifang Chen, on the Spooky Symphonies concert at the Adrienne Arsht Center, Miami, FL

Taut, featuring the Corona Guitar Kvartet (Per Dybro Sørensen, Volkmar Zimmermann, Kristian Gantriis, Michael Norman Sørensen), October 24, 2015. Musikkens Hus, Aalborg, Denmark

Sound/Water for cello and digital media, featuring Craig Hultgren, October 21, 2015, 7:30pm, School of Music Recital Hall, University of South Carolina, Columbia, SC

The Steinway Preludes featuring pianist Jacob Mason, Saturday, October 10,2015 1PM at the Alabama Piano Gallery
and
Sound/Water for cello and digital media, featuring Craig Hultgren, Saturday, October 10, 2015, 7:30PM at UAB Hulsey Recital Hall,
on BAMA’s Birmingham New Music Festival, October 8-11, 2015, Birmingham, AL

Mechanisms Australian PREMIERE, NOW flutes, featuring Lamorna Nightingale, October 4, 2015, Showcase Recital, Llewellyn Hall, AMU School of Music, Canberra, Australia.

Sound/Water for cello and digital media, featuring Craig Hultgren, October 4, 2015, 8pm, Lyceum Series, Pensacola State College, FL

R.I.P.T.PREMIERE
Bent Frequency Duo on the BF Duo North and South Carolina Tour, Wednesday, September 23, 2015 10:00am through Monday, September 28, 2015 11:00am
Tour dates:
September 22: 8pm, Appalachian State University, SC
September 23: 8pm, Furman University, Greenville, SC
September 24: 3:45pm, UNCSA masterclass
September 24: 7:30pm, Wake Forest University, Winston-Salem, NC
September 25: 8pm, UNCG – Mack and Mack, New Music Greensboro, Greensboro, NC
September 26: UNCG Saxophone Day, Greensboro, NC
September 27: 7:30pm, Western Carolina University, Cullowhee NC
September 28: 7:30pm, Brevard, Brevard, NC

Iron Composer Competition
Hindman took Audience Favorite and Second Place overall in Analog Arts’ Iron Composer Competition, September 3 – 4, 2015 at Baldwin Wallace University, Berea, OH.
Iron Composer is a one-day composition contest that pits five composers against each other, with only five hours to compose a piece of music. The day begins at 9 a.m. with a musical puzzle. The composers are assigned an instrumentation and a secret musical ingredient. They are given a private studio and a box lunch, and they have to use their all of their wits and accumulated skills to complete the challenge in the time allotted. The freshly composed pieces are rehearsed and performed on a public concert at 8 p.m., which is broadcast live on WCLV 104.9 FM and simulcast on www.wclv.com. The first prize is $1000 and the title of “Iron Composer”!

July 3, 2015: Visiting Composer and speaker: AmiCa Credenze POP – POP beliefs conference, June 27 – July 5, 2015,
Catania and Grammichele, Sicily
AmiConversazione n. 9
Spectral Beliefs: Giuseppe Montemagno e Dorothy Hindman – suggestioni religiose della musica spettrale. Venerdì 3 luglio 2015, ore 18:00 – Teatro Machiavelli, Catania

Steinway Preludes featuring the Other Music Ensemble, Angelyn Traylor Conducting, April 20. 2015, Clarke Recital Hall, Frost School of Music

Steinway Preludes performed by Jacob Mason, competition winner, February 28, 2015, at the 1st Annual Scholarship Showcase, City Church, Homestead, FL

Steinway Preludes performed by Jacob Mason, piano, January 7, 2015, Steinway Gallery, Coral Gables, FL

Heroic Measures PREMIERE, performed by Pulse Ensemble October 15, 2014, Festival Miami, Gusman Concert Hall, Coral Gables, FL

Sound/Water performed by Craig Hultgren on October 18, 2014, Electronic Music Midwest Festival, Philip Lynch Theater, Lewis University, IL

Fantasia for Karen Alone for violin and digital file performed by Benjamin Sung at 8:00 pm, October 18, 2014, 12Nights of Electronic Music series, Harold Golen Gallery in Wynwood, Miami, FL

Big Fun for baritone saxophone and piano,
and
The Pillow Book for mezzo-soprano, alto saxophone, violin, cello and piano, performed by Frank Capoferri, August 22, 2014, 8:00 PM at The Conservatory of Musical Arts, Audubon, NJ

Cascade for saxophone ensemble performed the University of Hawai’i Saxophone Choir, Todd Yukumoto conducting, at 4:00 pm, March 30, 2014, at Orvis Auditorium, University of Hawai’i at Manoa, HI

Needlepoint performed by Paul Bowman, March 2, 2014, North Carolina State University, Raleigh, NC

Needlepoint performed by Paul Bowman, February 12, 2014, 8 pm, Clarke Recital Hall, Frost School of Music, University of Miami, FL

Needlepoint performed by Paul Bowman, February 4, 2014, Winthrop University, Rock Hill, SC

Mechanisms for flute choir performed by Trudy Kane and the Frost Flute Choir at the Florida Flute Convention on January 26, 2013

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on January 27, 2013 at Wahlberg Recital Hall, California State University Fresno, California

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on January 28, 2013 at University of Tennessee, Chattanooga, Roland Hayes Recital Hall, Chattanooga, Tennessee

Cascade for saxophone ensemble performed by the Florida State University Saxophone Orchestra, Pat Meighan conducting, at the FSU New Music Festival 2013 on January 31, 2013, at Florida State University, Tallahassee, FL

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on February 27, 2013 at Audiograft 2013, Oxford Brookes University, Oxford, ENGLAND

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on April 4, 2013 at University of Bremen, Theatersaal, Bremen, GERMANY

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on April 19 and 20, 2013 at Texas A&M University Arts & Humanities Building Black Box Theatre, Arts & Humanities Building Grand Opening, College Station, Texas

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on April 25, 2013 at Bellingham Electronic Arts Festival, Pickford Film Center, Bellingham, Washington

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on April 26, 2013 at Axis Arts Centre, Manchester Metropolitan University, Crewe Campus, Crewe Cheshire, UNITED KINGDOM

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on May 3, 2013 at John Jacob Niles Gallery, University of Kentucky, Lexington, Kentucky

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on May 31, 2013 at Webster University Film Series, Winifred Moore Auditorium, St. Louis, Missouri

Mechanisms performed by the Frost Flute Choir August 6, 2013, 7:30 pm at the Palace, 1 Andalusia Drive, Coral Gables, FL

Mechanisms performed by the Frost Flute Choir August 8, 2013, 10:30 am at the National Flute Association 2013 New Orleans Convention, LA

Taut for guitar quartet performed by Corona Guitar Kvartet August 9, 2013 on Gegen den Strom, Ein Festival an der Lahnthe at the Kaiser-Wilhelm-Kirche in Bad Ems, GERMANY

Taut for guitar quartet performed by Corona Guitar Kvartet August 10, 2013 at 7:00 pm, at Oranier-Gedächtniskirche, Wiesbaden, GERMANY

Cascade for saxophone ensemble arrangement for seven saxophones, premiered by Darek  Samol and ensemble September 28 and 29, 2013 by, at the Festiwal Muzyki Organowej i Kameralnej w Wasilkowie, and Dni Muzyki w Monkach, and Festival Sacrum et Musica, POLAND.

Fission for symphonic winds performed by the Frost Symphonic Winds, Thomas Keck, conducting, at 8:00 pm, November 20, 2013, at Gusman Concert Hall, Frost School of Music, University of MIami, FL

Cascade for saxophone ensemble performed by the Slippery Rock Saxophone Ensemble, Jason Kush conducting, at 7:30 pm, December 2, 2013, at Swope Music Hall, Slippery Rock University, PA

Big Fun for baritone saxophone and piano premiered by Frank Capoferri, saxophone and Lauralie Pow, piano on December 8, 2013, at Clarke Recital Hall, Frost School of Music, University of Miami, FL

Drift for saxophone quartet performed by the Frost Saxophone Quartet on January 21, 2012, at the International Navy Band Saxophone Symposium, Washington D.C.

Soliloquy for solo clarinet performed by Lori Ardovino Sunday, February 26, 2012 at the Seaside Escape to Create residency, Seaside, FL

Cascade premiered by the Frost Saxophone Ensemble, April 11, 2012, Clarke Recital Hall, University of Miami Frost School of Music, Miami, FL

drowningXnumbers for amplified cello performed by cellist Craig Hultgren on August 25, 2012 at the Dunwoody Church of the Redeemer, on the Atlanta Cello Project, Atlanta, GA

drowningXnumbers for amplified cello performed by cellist Craig Hultgren on September 5, 2012, 7:30 pm at the Starlight Ampitheater, Birmingham-Southern College, Birmingham, AL

Seconds for digital soundfile performed on the 60×60 Presenters Mix on September 18, 7:00 pm on ArtsNow!, Kennedy-McIlwee Studio Theater at Thompson Hall, Raleigh, NC

Urban Myths for youth orchestra performed by the Greater Miami Youth Symphony, Huifang Chen, conducting, on October 21, 2012 on the Festival Miami: Creative Spark-Flashpoint concert in UM’s Gusman Hall, Coral Gables

Urban Myths for youth orchestra performed by the Greater Miami Youth Symphony, Huifang Chen, conducting, on October 28, 2012 on the GMYS’ Spooky Symphonies concert at the Olympia Theater at Gusman Center, Downtown Miami

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on November 9, 2012 at Longy School of Music of Bard College, Cambridge, Massachusetts

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on November 9, 2012 at Gainesville State College, Oakwood, Georgia

Mechanisms for flute choir premiered by Trudy Kane and the Frost Flute Choir on Nov. 12, 2012, in Gusman Hall

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on November 14, 2012 at University of Alabama at Birmingham – Hulsey Recital Hall, Birmingham, Alabama

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on November 20, 2012 at EDAU – The Electronic & Digital Art Unit,  University of Central Lancashire, UNITED KINGDOM

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on November 26, 2012 at University Art Museum, at California State University, Long Beach, California

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on December 7, 2012 at musicBYTES, Lewis University, Ives Hall, Romeoville, Illinois

Seconds for soundfile performed on the 60×60 (2012) Presenters Mix on December 5, 2012 at the National University of Music Bucharest, ROMANIA

Agnus Dei from Prothalamia performed twice by The Empire City Men’s Chorus (ECMC), on its  HOPE, LOVE, AND JUSTICE: A 20TH ANNIVERSARY HOLIDAY ALBUM FOR THE COMMUNITY.   The concert, conducted by ECMC Artistic Director Christopher Clowdus, included works by Marvin Gaspard, Dorothy Hindman, David Hurd, and Gwyneth Walker.  Performances were December 5, 2012, at 8pm at the Church of the Holy Apostles in Manhattan, NY, and December 9, 2012 at 5pm at the Church of St. Ann and the Holy Trinity in Brooklyn, NY

Fantasia for Karen Alone for violin and digital file performed by Karen Bentley Pollick at 3:00pm, Friday, January 21, 2011 on the SEAMUS National Conference 2011, at Clarke Recital Hall, University of Miami, FL

The Wall Calls to Me audio installation for visual artist Sally Johnson’s Projections and Reflections opens February 4, 2011 and runs through February 24, 2011 at the Hammond Hall Gallery, Jacksonville State University, Jacksonville, AL. The Wall Calls to Me consists of nine separate audio sources and an optional downloadable mp3. On opening nights, a live cellist will also perform as part of the installation.

Urban Myths for youth orchestra performed by the Etowah Youth Symphony Orchestra February 13, 2011, 2:30 pm on the Chocolate and Roses Valentine’s Day Concert, Gadsden, AL

Multiverses for marimba quartet premiered by the Georgia State University Percussion Ensemble, directed by Stuart Gerber, on April 5, 2011

Fantasia for Karen Alone for violin and fixed media, Solo Violin and Alternating Currents concert performed by Karen  Bentley Pollick, Olomouc and Jesenik Priesnitz Spa, April  26 and 27, 2011:  CZECH REPUBLIC

You Shall Not Go Down and Credo from Prothalamia, In Celebration of Marriage for All, performed by the Empire City Men’s Chorus on Song is a Strong Thing, Saturday, May 21, 2011 at 8 pm at the Church of the Blessed Sacrament, and Sunday, May 22, 2011 at 4 pm at the New York Public Library’s Schomburg Center for Research in Black Culture, Langston Hughes Atrium, NYC, NY

The Wall Calls to Me audio installation for visual artist Sally Johnson’s Projections and Reflections opens June 16, 2011 and runs through July 17, 2011 at the Montgomery Museum of Fine Arts, Montgomery, AL.

The Wall Calls to Me audio installation for visual artist Sally Johnson’s Projections and Reflections opens August 7, 2011 and runs through October 9, 2011 at the Huntsville Museum of Art, Huntsville, AL.

Soliloquy for solo clarinet performed by Lori Ardovino at the International Association of Women in Music Congress, Sept. 13 – 17, Northern Arizona University, Flagstaff, AZ

drowningXnumbers for amplified cello and Sound/Water for cello and digital media performed by cellist Craig Hultgren on September 23, 2011 at the University of Miami’s Frost School of Music Clarke Recital Hall, Miami, FL

drowningXnumbers for amplified cello and Sound/Water for cello and digital media performed by cellist Craig Hultgren on September 24, 2011 as part of the 12 Nights series, GAB Studios, Wynwood Art District Miami, FL Also presented were Hindman’s Seconds and Bathtimefor digital media, and Italian Dreams, video by Carrie Mae Weems, audio by Dorothy Hindman.

The Wall Calls to Me audio installation for visual artist Sally Johnson’s Projections and Reflections opens October 14, 2011 and runs through November 27, 2011 at the Mobile Museum of Art, Mobile, AL.

Drift for saxophone quartet performed by the Frost Saxophone Quartet on November 2, 2011, 8pm on the UM Frost School of Music Festival Miami concert: Divergent Boundaries, Gusman Hall, Miami, FL

Lost in Translation for soprano saxophone and piano performed by Clint Schmitt and Sin-Hsing Tsai at 7:30 pm, Friday, January 22, 2010 on a Faculty Concert at Roland Hayes Concert Hall, University of Tennessee Chattanooga, TN.

The Pillow Book song cycle for mezzo soprano, alto saxophone, violin, cello and piano performed by the SKIN Ensemble at 3:30 pm, Thursday, February 4, 2010 on the Society of Composers, Inc Region IV Conference, Recital Hall, School of Music, University of North Carolina at Greensboro.

Lost in Translation for soprano saxophone and piano performed by Clint Schmitt and Sin-Hsing Tsai at 11:00 am, Tuesday, February 23, 2010 on a Guest Artist Recital at Birmingham Southern College Hill Recital Hall, Birmingham, AL

Fantasia for Karen Alone for violin and digital file performed by Karen Bentley Pollick at 11:00 am, Thursday, March 4, 2010 on Dr Hindman’s Provost Forum presentation: Spectralism: the Intersection of Music, Physics, and Psychoacoustics or How Dr.Hindman Got Her Groove Back.  Birmingham Southern College Hill Recital Hall, Birmingham, AL

Fantasia for Karen Alone for violin and digital file performed by Karen Bentley Pollick on Thursday, March 11, 2010 on a Birmingham Art Music Alliance concert at the Birmingham Museum of Art, AL

Fantasia for Karen Alone for violin and digital file performed by Karen Bentley Pollick at 7:30 pm on Tuesday, April 27, 2010 on Birmingham-Southern College’s masterclass concert “The Revolution of Complex Sounds,” featuring composer Tristan Murail and his works at Birmingham-Southern College’s Hill Recital Hall, Birmingham, AL

Prothalamia: in Celebration of Marriage for All, jointly commissioned with Charles Norman Mason by the Empire City Men’s Chorus, premiered at 3:00 pm Sunday, May 23, 2010 on the Music at Riverside Concert Series, at The Riverside Church, New York City, NY

Prothalamia: in Celebration of Marriage for All, commissioned by the Empire City Men’s Chorus, will receive a second performance at 8:00 pm Tuesday, May 25, 2010 at the Church of St. Ann and the Holy Trinity, Brooklyn, NY

Jerusalem Windows performed by Karen Bentley Pollick, violin, Craig Hultgren, cello, and Kathryn Fouse, piano on September 9, 2010, at 7:30 pm on the Birmingham Art Music Alliance season, Samford University, Birmingham, AL.

The Wall Calls to Me audio installation for visual artist Sally Johnson’s Metamorphosis will open September 10, 2010 and run through September 20 at the Durbin Gallery of Art, Birmingham Southern College, AL.

The Road to Damascus, commissioned by the Caravel String Quartet, premiered at 3:00 pm September 11, 2010 at the Museum of Biblical Art (MOBIA), New York City, NY

Urban Myths for youth orchestra performed by the Etowah Youth Symphony Orchestra November 14, 2010, 2:00 pm on the 2010 Fall Formal Concert, Wallace Hall, Gadsden State Community College, AL

You Shall Not Go Down, commissioned by the Empire City Men’s Chorus premiered November at the United Nations in celebration of the Secretary-General’s UNiTE Campaign (Unite to End Violence Against Women).

Tapping the Furnace performed  by Stuart Gerber, percussion, on January 25, 2009 at 5:00 at the Ogden @ Watercolor Museum of Southern Art Museum in Seaside, FL as part of a presentation on Hindman’s works during her Escape to Create residency at the Seaside Institute for the month of January.  Also presented were Drift, Italian Dreams, and a preview of Hindman’s latest work, Multiverses for marimba solo with Max/MSP.

Tapping the Furnace performed  by Stuart Gerber, percussion, on February 7, 2009 at 7:30 pm on the Birmingham Art Music Alliance Ensemble Sirius concert at Birmingham-Southern College’s Hill Recital Hall, Birmingham, AL

Tapping the Furnace performed  by Stuart Gerber, percussion, on February 5, 2009 at 7:30 pm on the Ensemble Sirius concert at Georgia State University’s Florence Kopleff Recital Hall, Atlanta, GA

The Pillow Book song cycle for mezzo soprano, alto saxophone, violin, cello and piano premiered by the Goliard Ensemble on their Southeastern tour for 2009.  Hindman was Goliard’s composer-in-residence for the tour.

Tour dates included:
February 18, 2009: Three Performances at Woodland Performing Arts High School, Cartersville, GA
February 19, 2009: Residency at Birmingham Southern College, Birmingham, AL
February 20, 2009: World Premiere performance, 7:30 pm: Hill Recital Hall, Birmingham-Southern College, Birmingham, AL
February 23, 2009: Masterclass and Residency at the University of Tennessee-Chattanooga
February 24, 2009: 7:30pm Concert, Cadek Recital Hall University of Tennessee-Chattanooga
February 25, 2009: Residency in the schools, Newberry, SC
February 26, 2009: Residency in the schools, Newberry, SC
February 26, 2009:  7:30 pm Concert, Newberry Opera House, SC
February 27, 2009: 7:00 pm Concert, Barnwell United Methodist Church, Barnwell, SC

The Pillow Book song cycle for mezzo soprano, alto saxophone, violin, cello and piano, NY premiere by the Goliard Ensemble on March 7, 2009 at 7:30 pm on the Southeastern Tour Concert at the Steinway Reformed Church, Astoria, NY

Fantasia for Karen Alone for violin and digital file performed by Karen Bentley Pollick on Thursday, March 11, 2009 on a Birmingham Art Music Alliance concert at the Birmingham Museum of Art, AL

The Pillow Book song cycle for mezzo soprano, alto saxophone, violin, cello and piano, NY premiere by the Goliard Ensemble on March 7, 2009 at 7:30 pm on the Southeastern Tour Concert at the Steinway Reformed Church, Astoria, NY

Fantasia for Karen Alone for violin and digital file performed by Karen Bentley Pollick on Thursday, March 11, 2009 on a Birmingham Art Music Alliance concert at the Birmingham Museum of Art, AL

Seconds for soundfile and Bathtime for soundfile performed December 8, 2009, at 4:00 pm on the Retrospectiva de informatica aplicata VISUAL MUSIC USA-Romania, 2003-2009 at the Sala George Enescu, Universiteatea Nationala De Muzica, BUCHAREST, ROMANIA

Bathtime for soundfile performed January 17, 2008, on the Vox Novus 2007 Midwest Minutes mix at Hill Recital Hall, Birmingham-Southern College, Birmingham, AL

Italian Dreams presented in conjuction with video by Carrie Mae Weems Saturday, February 3, 2008 at 2:30 pm on a Birmingham Art Music Alliance concert, Bottletree Cafe, Birmingham, AL.

Bathtime for soundfile performed February 5, 2008, on the 60×60 Midwest Mix at Stephen F. Austin State University, Nacogdoches, TX

Needlepoint performed by Rusty Banks, guitar on February 17, 2008 at 4:00 pm on his Friction concert at Grace Lutheran in Lancaster, PA

Tapping the Furnace performed  by Scott Deal, percussion, on February 23, 2008 at 12:00 noon at the Society of Composers, Inc. National Conference at Georgia State University, Atlanta, GA.

Bathtime for soundfile performed February 21, 2008, on the Free Play 10: Listening Chamber at the Art Gallery at Grand Valley State University in Allendale, Michigan

Bathtime for soundfile performed March 1, 2008, at 11:00 am on the International Women’s Electroacoustic Listening Room Project, as part of the 7th Annual New Music Festival: Inclusive Voices Healing the Divide, in the Recital Hall at California State University, Fullerton, California

Italian Dreams presented in conjuction with video by Carrie Mae Weems Tuesday, March 25, at 7:30 pm Birmingham Art Music Alliance North Alabama Techno Tour concert in Roberts Hall at the University of Alabama, Huntsville.

Seconds for soundfile performed Thursday, April 3, 2008, on a Birmingham Art Music Alliance North Alabama Techno Tour concert at Wallace State Community College in Hanceville.

Bathtime for soundfile performed April 4, 2008, on the Vox Novus 2007 Midwest Minutes mix at XMV – Double Feature Friday at Collective: Unconscious, New York City

Needlepoint performed by Rusty Banks, guitar on April 13, 2008 at 4:00 pm on Memory: Reflections on Tragedy, Observation, and Processing at St James Episcopal Church, Lancaster, PA

Needlepoint performed by Rusty Banks, guitar on April 18, 2008 at 8:00 pm on the guest recital “Rusty Banks: Spatial Someone” at Kennesaw State University, Lancaster, PA

Tapping the Furnace performed  by Stuart Gerber, percussion, on April 19, 2008 at 4:30 at the Contemporary Music Festival  at Sam Houston State University, Huntsville, TX.

Bathtime for soundfile performed April 26, 2008, on the Vox Novus 2007 Midwest Minutes mix at Winifred Moore Auditorium, Webster University, St. Louis

Tapping the Furnace performed by Scott Deal, percussion on June 20, 2008 at 8 pm at the Summer Institute for Contemporary Performance Practice at New England Conservatory’s Jordan Hall, Boston, Massachussetts.  Free admission

Setting Century for Pierrot ensemble performed by IonSound Ensemble on Sunday, July 13, 2008 at 7 pm at Your Inner Vagabond Coffehouse and World Lounge in Lawrenceville, Pittsburgh, PA.

Seconds for soundfile performed Friday, September 5, 2008 on the 60×60 Evolution Mix/60×60 Dance at Galapagos concert at 16 Main Street, DUMBO (Brooklyn), NY

Is this then a touch? premiered by baritone Daniel Seigel, Lester Seigel accompanying on Tuesday, September 2, 2008 in the Hill Recital Hall, Birmingham Southern College

Swell for organ performed by composer/organist Carson Cooman Saturday, September 13, 2008 at St. Peter’s Episcopal Church, Cambridge, MA.

Swell for organ performed by composer/organist Carson Cooman Friday, September 19, 2008 at The Memorial Church, Harvard University, Cambridge, MA.

Concentricity and Linger from Forward Looking Back performed by Max Lifchitz, piano, Friday, September 25, 2008 at 4:00 pm on the College Music Society National Conference 2008 in Atlanta, Georgia

Seconds for soundfile performed in October 2008 as part of the FrammentAzioni project on the Contemporanea festival, and broadcast from Taukay Web radio, with choreography by the Arearea Dancy Company in Udine, ITALY

Seconds for soundfile performed October 16 – 18, 2008 as part of the Midwest Minute Madness installation at the Electronic Music Midwest Festival, Lewis University, Romeoville, IL

Tapping the Furnace performed by Scott Deal, percussion on November 14, 2008 at 1:30 pm on the Music Now concert at the Indiana State University Contemporary Music Festival in Terre Haute, IN

Incarnation for SATB choir performed November 22, 2008 by  the Gregg Smith Singers on their Holiday concert at Saint Peter’s Church, Lexington Ave at 54th Street, NYC

Incarnation for SATB choir performed December 5 and 7, 2008 by  the Birmingham Southern College Southern Chorale on their 72nd Annual Service of Lessons and Carols at Canterbury United Methodist Church, Birmingham, AL

Seconds for soundfile performed January 25, 2007, on the Free Play 6: Listening Chamber at the Art Gallery at Grand Valley State University in Allendale, Michigan

three small gestures premiered by Duo46, February 12, 2007, at 7:30 pm, presented by the Birmingham Art Music Alliance at Birmingham-Southern College’s Hill Recital Hall, Birmingham, Alabama

centro performed by Karen Bentley Pollick, violin and Ivan Sokolov, piano February 17, 2007 in a private Salon Concert at the home of Nan Bentley, Seattle, Washington TX

The Steinway Preludes performed by Adam Bowles, February 25, 2007, 2:30 pm at the Dixon Gallery and Gardens, Hughes Pavillion, Memphis, Tennessee

centro performed by Karen Bentley Pollick, violin and Ivan Sokolov, piano March 1, 2007 at 7:30 pm on the Hosakawa Master Class in Composition recital at Birmingham-Southern College’s Hill Recital Hall in Birmingham, Alabama

centro performed by Karen Bentley Pollick, violin and Ivan Sokolov, piano March 3, 2007 on a private Salon Concert in Birmingham, Alabama

centro, Lost in Translation, and Italian Dreams presented March 6, 2007 at 11:00 am at a Birmingham Southern College Provost Forum In Hill Recital Hall.  centro featured Karen Bentley Pollick, violin and Ivan Sokolov, piano.  Lost in Translation featured Lori Ardovino, soprano saxophone, and Laurie Middaugh, piano. Italian Dreams presented in conjuction with video by Carrie Mae Weems.  Hindman spoke about her music and her sojourn in Rome, Italy, and additional works may be presented.  Admission free.

The Steinway Preludes performed by Adam Bowles, April 15, 2007, on a preview concert for the Belvedere Chamber Music Festival, Memphis, Tennessee.

Needlepoint performed by Rusty Banks, guitar on April 18, 2007 at 7:00 pm on his “Spatial Someone” concert at Kennesaw State University, Georgia.

Needlepoint performed by Rusty Banks, guitar on April 22, 2007 at 7:00 pm on his “Spatial Someone” Artburst concert at the Unitarian Universalist Church in Birmingham, AL.  Tickets $8 general admission, $4 students.

Seconds for soundfile performed in conjunction with the 60×60 2005 Midwest Minutes project on April 20, 2007, at 12:00 noon.  The project presented by the Central Kentucky Student Chapter, SCI on the John Jacob Niles Gallery Series at the University of Kentucky School of Music, Lexington, KY.

Monumenti performed by members of the dal niente ensemble on June 2, 2007 at 7 pm, as part of the Chicago Composers Forum Exchange Concert,  presented in conjunction with the Birmingham Art Music Alliance.

drowningXnumbers performed by Craig Hultgren, cello, on June 3, 2007 at 7 pm, as part of the Chicago Composers Forum Exchange Concert, presented by the Birmingham Art Music Alliance and Artburst at the Unitarian Universalist, Birmingham, Alabama.

Beyond the Cloud of Unknowing performed by Scott Deal, percussion on Thursday, June 21, 2007 at 8 pm at the Summer Institute for Contemporary Performance Practice at New England Conservatory’s Jordan Hall, Boston, Massachussetts.  Free admission

Incarnation performed by the Odyssea Coro, Gonçalo Lourenço conducting, at 9 pm on July 2, 2007, at the Campo Grande Church, Lisbon, Portugal.

Incarnation performed by the Odyssea Coro, Gonçalo Lourenço conducting,  on July 8, 2007, at 4 pm at the Cathedral in Guarda, Portugal.

“Streaming” from Setting Century Symphony performed by the Alabama Symphony Orchestra on their On the Road concert series.
Performances:
Vestavia Hills High School at 7:00 pm on September 4, 2007,
Glen Iris Elementary School at 10:00 am on September 5, 2007,
Cathedral of the Cross at 7:00 pm on September 6, 2007,
Brookwood Forest Elementary School at 10:00 am on September 18, 2007, and
Chapel in the Pines Presbyterian Church at 7:00 pm on September 20, 2007.
There also an open rehearsal at Vestavia Hills High School at 10:00 am on September 4, 2007.

Monumenti performed by Karen Bentley Pollick, violin, and Dennis Parker, cello on September 11, 2007 at 8 pm at the School of Music Recital Hall, Louisiana State University, Baton Rouge, LA.

Tapping the Furnace premiered by Stuart Gerber, percussion, on October 2, 2007 on a Bent Frequency concert at Eyedrum Art and Music, Atlanta, GA.

Bathtime for soundfile performed October 9, 2007, on the 60×60 Midwest Mix at the Kentucky New Music Festival, Lexington, KY

Taut for guitar quartet performed by the Corona Guitar Kvartet from Denmark on Thursday, October 11, 2007, 8:30 pm on the 28th “Nuovi Spazi Musicali” Festival of Contemporary Music at the Accademia di Ungheria, Via Giulia 1, Roma, ITALY  www.coronaguitarkvartet.dk

Bathtime for soundfile performed October 12, 2007, at 5:00 pm on the 60×60 Midwest Mix at the Electronic Music Midwest Festival, Kansas City Kansas Community College, Kansas City, KS

Needlepoint performed by Paul Bowman, guitar on November 10, 2007 at 7:30 pm on a Birmingham Art Music Alliance concert at Birmingham-Southern College’s Hill Recital Hall, Birmingham, AL.

Beyond the Cloud of Unknowing performed by Scott Deal, percussion on Saturday, November 17, 2007 at the College Music Society National Conference 2007, Salt Lake City, Utah.

Bathtime for soundfile performed November 29, 2007, at 8:00 pm on the Vox Novus 60×60 2007 Midwest Mix at the Westbrook Auditorium, Illinois Wesleyan University, Bloomington, IL

Bathtime for soundfile performed November 29, 2007, at on the Vox Novus 60×60 2007 Midwest Mix at Lewis University, Romeoville, IL

The Steinway Preludes performed by Adam Bowles, January 28, 2006, Say What? Alys Stephens Center Kids’ Club Concert Series, Birmingham, AL.

Drift performed by IALSAX quartet, January 31, 2006, Festival del Sassofono 2006, Conservatorio di Santa Cecilia, Roma, ITALIA

centro premiered by Karen Bentley Pollick, violin, and Ivan Sokolov, piano, February 12, 2006, TransMagiNations / Washington Composers Forum, Transport series, Consolidated Works, Seattle, Washington.

Forward Looking Back performed by Ashlee Mack, piano, February 24, 2006, Monmouth College, Dahl Chapel, Monmouth, IL.

Forward Looking Back performed by Ashlee Mack, piano, February 24, 2006, Monmouth College, Dahl Chapel, Monmouth, IL.

Monumenti for violin and cello duo premiered at the Birmingham Art Music Alliance’s BENTLEY POLLICK/HULTGREN DUO ELECTRIC concert February 27, 2006 at 7:30 pm in Hill Recital Hall at Birmingham-Southern College, part of BSC’s Women and Human Dignity conference.

Forward Looking Back performed by Ashlee Mack, piano, March 15, 2006, American Academy in Rome, Roma, ITALIA.

Psalm 121 for choir performed by the Birmingham Southern College Concert Choir on tour, March 22 – 27, 2006
Performances:
First United Methodist Church in Gainesville, GA
St. Peter’s Catholic Church in Columbia, SC
Congregation K. K. Beth Elohim in Charleston, SC
United Methodist Church in Macon, GA
St. John’s Episcopal Church, College Park in Atlanta, GA
Livingston Presbyterian Church in Livingston, AL

Soliloquy for clarinet performed by Lori Ardovino, March 25, 2006, 5th Annual Texas Tech Clarinet Festival, Lubbock, TX.

Psalm 121 for choir performed by the Birmingham Southern College Concert Choir Homecoming Concert, April 6, 2006, Hill Recital Hall at Birmingham-Southern College, Birmingham, AL

Needlepoint performed by Paul Bowman, April 8, 2006, Weinklang wine cellar, Berlin, GERMANY

Needlepoint performed by Paul Bowman, April 13, 2006, Villa Aurelia, American Academy in Rome, Roma, ITALIA.

Psalm 121 for choir performed by the Birmingham-Southern College Concert Choir Honors Day Concert, April 27, 2006, Munger Hall, Birmingham-Southern College, Birmingham, AL

Seconds for soundfile performed May 6, 2006, 60×60 2005/Midwest Minutes, St. Louis Community College, Missouri

Italian Dreams for soundfile, in collaboration with video artist Carrie Mae Weems, premiered May 29, 2006, American Academy in Rome, Roma, ITALIA

Monumenti performed by Karen Bentley Pollick, violin, and Craig Hultgren, cello, May 31, 2006, American Academy in Rome, Roma, ITALIA.

centro performed by Karen Bentley Pollick, violin, and Ivan Sokolov, piano, May 31, 2006, American Academy in Rome, Roma, ITALIA.

drowningXnumbers performed by Craig Hultgren, cello, May 31, 2006, American Academy in Rome, Roma, ITALIA.

Jerusalem Windows performed by Karen Bentley Pollick, violin, Craig Hultgren, cello, and Ivan Sokolov, piano, May 31, 2006, American Academy in Rome, Roma, ITALIA.

Seconds for soundfile performed June 29, 2006, The International Women’s Electroacoustic Listening Room Project, studio 1, BIMhuis in the Muziekgebouw, Amsterdam, NETHERLANDS

Seconds for soundfile performed June 29, 2006, The International Women’s Electroacoustic Listening Room Project, studio 1, BIMhuis in the Muziekgebouw, Amsterdam, NETHERLANDS

Monumenti performed by Karen Bentley Pollick, violin and Dennis Parker, cello September 15, 2006, 10:00 am at the Society of Composers, Inc 2006 National Conference, September 14 – 16, 2006, Trinity University, San Antonio, Texas.

Soliloquy for clarinet performed by Lori Ardovino, September  26, 2006, 1:00 pm on a BAMA Players concert at Epic Alternative Elementary School, Birmingham, AL.

Lost in Translation premiered by Lori Ardovino-Neprud, soprano saxophone, and Laurie Middaugh, piano, Sept. 28, 2006 at 7 pm, presented by the Birmingham Art Music Alliance at the Alabama School of Fine Arts, Hess-Abroms Recital Hall, Birmingham, Alabama.

Seconds for soundfile performed November 21,  2006, at 7:30 pm on an Electronic Music Plus Concert at the University of Alabamas Recital Hall, Tuscaloosa, AL.

Turning Apples, Slicing Screws and Wanting…Night Music from Forward Looking Back for solo piano performed on Monday, January 17, 2005 at 7:30 p.m. by pianist Kurt Carpenter on the Birmingham Art Music Alliance’s  NEW MUSIC FOR PIANO program at the University Of Montevallo’s  LeBaron Recital Hall in Montevallo, Alabama.

Drift for saxophone quartet performed at the Florida State University School of Music’s 2005 Festival of New Music, February 3-5, 2005 at Florida State University, Tallahassee, FL

The Steinway Preludes were performed on the Birmingham Art Music Alliance’s New Music for a Young Audience concert on Sunday, February 13, 2005 at 2:30pm in the  Birmingham Southern College Hill Recital Hall.  Admission is free.

The Steinway Preludes were officially premiered by pianist William DeVan on a Faculty Recital Sunday, February  27, 2005 at 2:30 pm in the  Birmingham Southern College Hill Recital Hall.

Needlepoint premiered by guitarist Paul Bowman on a Birmingham Art Music Alliance concert on Monday, March 14, 2005 at 7:30pm in the Samford University Wright Recital Hall.

Psalm 121 for choir a cappella has won the 2005 Almquist Choral Composition Competition and premiered by the Murray State University Concert Choir on Thursday, March 3, 2005 on the 2005 ATHENA Festival  at Murray State University, KY.

Drift for saxophone quartet performed on a Birmingham Art Music Alliance concert by the ARA Saxophone Quartet on Tuesday, April 12, 2005 at 7:30pm in the  Birmingham Southern College Hill Recital Hall.

Drift for saxophone quartet performed on the North American Saxophone Alliance Regional Conference by the Arkansas State University Saxophone Quartet at Arkansas State University on Saturday, April 23, 2005 at 6:00 pm at Arkansas State University, Jonesboro, AR.  Hindman also gave a master class in composition April 21-23, sponsored by the ASU SCI Student Chapter.

The Steinway Preludes for piano solo performed on May 7, 2005 at 7:30 pm by Visiting Artist Gloria Cook on an ACS Masterclass Exchange concert at Birmingham-Southern College’s Hill Recital Hall.  Ms. Cook appeared in a recital of piano solos and duos with Cynthia Lawing.

Time Management performed by bassist Jeremy Kurtz on Tuesday, June 7, 2005 at 2:00 pm at the  International Society of Bassists Convention at Western Michigan University, Kalamazoo, MI.  Time Management the 2004 Winner of the International Society of Bassists Solo Composition Competition. This the official world premiere of the work.

Drift for saxophone quartet received its official NY premiere by the New York Saxophone Quartet at Weill Recital Hall at Carnegie Hall, 57 7th Ave, NYC on Sunday, June 26, 2005 at 8:00 pm.  Tickets $30.

Setting Century for Pierrot ensemble performed by Luna Nova, the new music ensemble of the Associated Colleges of the South on Tuesday, June 28, 2005 at 7:00 pm, as part of the Birmingham Art Music Alliance  season, in the Alabama School of Fine Arts Hess-Abroms Recital Hall, 1800 8th Avenue North, Birmingham. Admission $6/adults, $3/students and seniors.

The Steinway Preludes for piano solo performed on July 28, 2005 at 7:30 pm by pianist Gloria Cook at the ACS 2005 Music Workshop and New Music Festival at Birmingham-Southern College’s Hill Recital Hall.

The Steinway Preludes for  piano performed by Adam Bowles on the Birmingham Art Music Alliance’s presentation of The BAMA Players, Tuesday, September 6, 2005 at 7:00 pm at the Moonlight Music Cafe – 628 Montgomery Hwy. in Vestavia, AL.

Seconds world premiere, September 30, 2005, 60×60 2005/Midwest Minutes, Music BYTES Festival, Lewis University, Romeoville, IL.

“Streaming” from Setting Century Symphony performed by the Alabama Symphony Orchestra on October 10, 2005 at 7:30 pm at Birmingham-Southern College’s Hill Recital Hall as part of BSC’s celebration of their sesquecentennial.

Magic City for orchestra performed at the Society of Composers, Inc National Conference, October 13 – 15, 2005 at the University of North Carolina at Greensboro.

Seconds for soundfile performed October 12, 2005, 60×60 2005/Midwest Minutes, Electronic Music Midwest Festival, Kansas City Kansas Community College, Kansas City, Missouri

Seconds for soundfile performed November 10, 2005, 60×60 2005/Midwest Minutes, University of Illinois, Urbana, IL

Seconds for soundfile performed November 16, 2005, 60×60 2005/Midwest Minutes, University of Minnesota, Minneapolis, MN

Swell for organ premiered at the Birmingham Art Music Alliance’s Keyboard Birmingham concert Tuesday, December 6, 2005 at 7:30pm. This concert held in Wright Recital Hall at Samford University, Birmingham, AL.

drowningXnumbers performed January 20, 2004 on a NODUS concert with guest performer, cellist Alvaro Bitran of the Cuarteto Latinoamericano.  The concert will take place at the Wertheim Performing Arts Center at 8:00 PM in Miami, Florida.

Magic City for orchestra performed Friday, January 23, 2004  at 7:30 p.m. by the North Florida Symphony Orchestra.   The NFSO is housed at a spectacular Arts Center near Destin, FL

Drift for saxophone quartet performed on January 31, 2004 at the Society of Composers, Inc. Region VI Conference at Arkansas State University in Jonesboro, AR.

Turning Apples and Slicing Screws from Forward Looking Back for solo piano performed on Monday, February 2, 2004 at 7:30 p.m. by pianist Kurt Carpenter of the BAMA Players at the University of South Alabama in Mobile, Alabama

Turning Apples and Slicing Screws from Forward Looking Back for solo piano performed on Wednesday, February 11, 2004 at 2:00 p.m. by pianist Kurt Carpenter of the BAMA Players at Bevil State Community College in Sumiton, Alabama.

Time Management premiered by bassist Robert Black, on March 14, 2004 at 2:30 pm at the  Birmingham Southern College Hill Recital Hall.

drowningXnumbers for amplified cello performed by cellist Craig Hultgren on March 17, 2004 at Middlebury College Center for the Fine Arts.

drowningXnumbers for amplified cello performed by cellist Craig Hultgren on Monday, March 22, 2004 at 8 pm at the University of Georgia at Athens Ramsey Hall.

Tonal Music for ensemble premiered April 3, 2004 at 3:00pm by the BSC New Music Ensemble at the Improv Fest at Virginia Samford Theater in Birmingham, AL.

Tonal Music for ensemble performed May 6, 2004 at 7:30pm by the BSC New Music Ensemble at the Hill Recital Hall at Birmingham Southern College, AL

Drift for saxophone quartet performed by the Chicago-based Atlas Saxophone Quartet on May 13, 2004, at 7:30pm in the  Birmingham Southern College Hill Recital Hall. Admission is free.

Trembling for flute performed by John McMurtery of the Luna Nova Ensemble on Sunday, June 20, 2004 at 3:30 pm. at the City Stages Festival New Arts Stage in Birmingham, AL.

Trembling for flute and Forward Looking Back for solo piano were performed by flutist John McMurtery and pianist Adam Bowles on Saturday, July 24, 2004 at 3:30 pm at the ACS 2004 Music Workshop and New Music Festival.  The performance took place in Caldwell-Carvey Hall on the campus of Southwestern University in Georgetown, TX.

fin de cycle for piano and tape performed by Shiau-uen Ding of the NeXT ensemble on the Electronic Music Midwest Festival Sept. 16-18, 2004 at Lewis University in Chicago, IL.

“Streaming” from Setting Century Symphony premiered by the Alabama Symphony Orchestra on  their Young People’s Concert I of the season, September 22, 2004 at 10:00  am at  Briarwood Presbyterian Church, and September 23, 2004 at 10:00 am at the BJCC Concert Hall, AL.

Taut for guitar quartet performed by the Corona Guitar Kvartet from Denmark on Saturday, October 2, 2004, 7:30 pm at the Canisius College of Music, Buffalo www.canisius.edu/finearts/music/music.asp, www.coronaguitarkvartet.dk

Taut for guitar quartet performed by the Corona Guitar Kvartet from Denmark on Tuesday, October 5, 2004, 8:00 pm at the New Music Gallery/Toronto www.musicgallery.org/ www.harbourfrontcentre.com/noflash/info/schedule.php?series=SUPERDANISH

Taut for guitar quartet received its Birmingham premier by the Corona Guitar Kvartet from Denmark on Tuesday, October 12, 2004, at 7:30 pm.  Corona made their Alabama debut at Birmingham-Southern College’s Hill Recital Hall.  Free admission.

drowningXnumbers performed by cellist Craig Hultgren October 23, 2004 on a Vox Novus program at 12 Emily Street Valley Falls, NY.

drowningXnumbers performed by cellist Craig Hultgren October 24, 2004, at 3:00 pm on a Vox Novus program at UNDER St Marks, NY.

Incarnation performed December 10, 2004 at 8:00 pm by  the Bridgewater State College Chamber Singers and Choral Society on their Holiday concert at Horace Mann Auditorium, Boyden Hall, Bridgewater State College in Bridgewater, Massachusetts.

Love Letters for soprano and piano four hands performed on February 11, 2003 by Bonnie Pomfret, soprano and Laura Gordy and Sarah Gibson, piano on the Birmingham Art Music Alliance’s `Valentine’s Harbinger` concert at Workplay in Birmingham, AL.

Love Letters for soprano and piano four hands performed on February 15, 2003 by members of Vox Novus on their `Love and Loss` Valentines Day Concert at A.R.T./New York’s South Oxford Space, Brooklyn, New York.

Trembling for flute performed on February 15, 2003 at the University of Tennessee-Chattanooga’s Biennial New Music Symposium.

Drift premiered by the Lithium Saxophone Quartet on February 21, 2003 at the University of Missouri-Columbia.

The Christian Ladies’ Quartet from Louise: the Story of a Magdalen performed by members of the Birmingham-Southern College Opera Workshop on February 27, 2003 in Hill Recital Hall.

Setting Century for Pierrot ensemble performed on March 6, 2003 at the Southeastern Composers’ League Forum at the University of Georgia in Athens.

Drift performed by the Atlas Saxophone Quartet on March 9, 2003 at the Merit School of Music Recital Hall in Chicago, IL.

Magic City for orchestra performed by the Brevard Symphony Orchestra on March 14 and 15, 2003 at the King Center in Melbourne, Florida and at Community Church in Vero Beach, Florida. Christopher Confessore conducted.

Trembling for flute performed by Donald Ashworth, Jr on April 8, 2003 on a Birmingham Art Music Alliance Concert in the Hill Recital Hall at Birmingham-Southern College.

Trembling for flute performed by Donald Ashworth, Jr on May 6, 2003 in the Hill Recital Hall at Birmingham-Southern College.

Setting Century for Pierrot ensemble and drowningXnumbers for amplified cello solo were performed on July 17 and 19, 2003 at the Associated Colleges of the South’s New Music Festival at Southwestern University in Georgetown, TX.

Forward Looking Back, a suite for piano, performed on August 3, 2003 at 7:30 pm by pianist Adam Bowles on a Birmingham Art Music Alliance concert at Artburst in Birmingham, AL.

Three Songs of Reminiscence for piano and tenor performed Tuesday, October 14, 2003 at  7:30 pm as The Birmingham Art Music Alliance presents the Goliard Ensemble of New York along with works by Charles Mason, Michael Coleman, Monroe Golden, Ed Robertson, and others.

drowningXnumbers performed Friday, October 31, 2003 as The Associated Colleges of the South present works by Hindman, Mason, Romig, Crumb, and special guest, Milton Babbitt in concert at Millsaps College as part of the “MILTON BABBITT: A Celebration of his Life and Music” conference.

Drift performed Friday, November 7, 2003 at 3:00 pm on the Society of Composers, Inc. Region IV Conference at Stetson University in Deland, FL

Jerusalem Windows performed Saturday, November 9, 2003, at 8:00 pm by The Chagall Trio at Temple Emanu-El, 2100 Highland Avenue, Birmingham.  The program was entitled: Remembering Kristallnacht on its 65th anniversary, and also featured Dmitri Shostakovich, Trio No. 2 in E Minor, and  Antonin Dvorák, “Dumky” Trio, Op. 90.

Chemistry performed November 20, 2003 at 7:30pm by the Arc Ensemble, Ensemble-in-Residence at the New Rosenthal Center for the Contemporary Arts in downtown Cincinnati, OH. Tickets are $20.

Drift performed December 2, 2003 at 8:30 pm by the clair-obscur saxophone quartet of Berlin, Germany on the “Unerhoerte Musik” concert series at the BKA Mehringdamm in Berlin.

Incarnation performed December 11, 2003 at 7:30 pm by members of the John Carroll Catholic High School Choir on their Christmas concert at Canterbury United Methodist Church in Birmingham, AL.

Setting Century performed Tuesday, December 16, 2003 at 6:00 pm as part of the Mississippi Museum of Art centennial celebration on the “Unburied Treasures” series, which began in March with music, art, and literature from the first decade of the century.  Each month a different decade is featured chronologically, and the century-ender is Hindman’s Setting Century.  For more information access their website under the “Event” link…www.msmuseumart.org/

Incarnation performed December 20, 2003 at 8:00 pm by the Renaissance Voices on their Christmas concert at the Chestnut Street United Methodist Church, Portland, Maine.  Tickets are $15 at the door, $12 in advance via their website.

Magic City for orchestra premiered by the Alabama Symphony Orchestra on their Masterworks Series at the Alys Stephens Center in Birmingham. Grant Llewellyn was the guest conductor.

Trembling for solo flute performed on the Southeastern Composers’ League’s 51st Annual Forum at Mercer University on February 16, 2002 at 8:00 pm in McCorkle Music Building Recital Hall. Donald Ashworth, for whom the work was written, performed.

fin de cycle for piano and tape performed twice on the 8th Dangerous Season of the Composers Orchestra on Monday, January 28, 2002 and Thursday, February 14, 2002 at Lilly Hall and Robertson Concert Hall of the Jordan College of Fine Arts, School of Music, Butler University. Ian Henniing was the pianist.

drowningXnumbers for amplified cello performed on Thursday, March 21, 2002 at 8:00 pm in the Kobacker Hall of the College of Musical Arts, Bowling Green State University by Craig Hultgren as part of the Society of Composers, Inc. 2002 Student National Conference.

Setting Century for flute, clarinet, violin, cello, and piano performed at 7:30 pm on April 30, 2002 on a concert featuring master class composer David Lang at Birmingham-Southern College. Performers were Katy Elizabeth Leonard, flute, Nicole Selvidge, clarinet, Mayumi Repp, violin, Craig Hultgren, cello, and Kevin Grigsby, piano.

drowningXnumbers for amplified cello performed on Saturday, May 18, 2002 at 4:30 pm on the New Arts Stage in the Steiner Auditorium of the Birmingham Museum of Art by Craig Hultgren as part of the City Stages Music Festival. An accompanying video by Leisha Hultgren also presented.

Jerusalem Windows premiered by the Chagall Trio on June 6, 2002 at 8:00 pm at the Music Teachers National Association/Alabama Music Teachers Association Conference at Birmingham-Southern College’s Hill Recital Hall. The trio was commissioned by MTNA/AMTA. The Chagall Trio is currently in residence at Birmingham-Southern College and is Michael Korn, violin, Craig Hultgren, cello, and Lester Seigel, piano.

fin de cycle for piano and tape performed by Janet Pierce Norman as part of her doctoral recital at Arizona State University.

Jerusalem Windows performed by the Chagall Trio on July 27th, 2002 at the Associated Colleges of the South Music Technology Workshop at Southwestern University.

Jerusalem Windows performed by the Chagall Trio on Sept 5th, 2002 at Birmingham Southern College’s Hill Recital Hall.

While the premiere of Louise: the Story of a Magdalen, a full length opera with libretto by Sally M. Gall, has been postponed indefinitely due to funding problems, two scenes from Louise were performed on Sept. 20 and 21, 2002. The Christian Ladies’ Quartet and Hattie’s Aria from Louise: The Story of A Magdalen were both performed on Alabama Operaworks’ Hot Southern Nights program Sept. 20 and 21, 2002 at the Virginia Samford Theater (formerly the Town and Gown). Lester Seigel conducted

Trembling for flute performed by the Vox Novus Ensemble in mid-September in New York City. For further information, contact: Vox Novus at http://www.VoxNovus.com

Jerusalem Windows performed by the Chagall Trio on October 17, 2002 at the University of West Alabama’s Bibb Graves Auditorium

Trembling for flute performed by Christine Perea on October 20, 2002 on Vox Novus Ensemble’s Third Composer’s Voice Concert at 8:00 PM at South Oxford Space in New York City.

Trembling for flute performed by Donald Ashworth, Jr. on November 1, 2002 at the Society of Composers, Inc. Region IV Conference at Rhodes College in Memphis, TN.

Trembling for flute performed by Christine Perea on November 30, 2002 on a Vox Novus Ensemble Concert in New York City.

fin de cycle for piano and tape performed by Robert Conway on December 12, 2002 on the Birmingham Art Music Alliance’s “Piano Solos from Alabama” program at Samford University’s Wright Recital Hall in Birmingham, AL

fin de cycle for piano and tape performed on the Society of Composers, Inc. Contemporary Music Festival and Regional Conference on April 5, 2001 at the Katzin Concert Hall of the Arizona State University School of Music. Janet Pierce Norman was the pianist.

drowningXnumbers for amplified cello performed on Sunday, July 29, 2001 at 2:00 pm in the Steiner Auditorium of the Birmingham Museum of Art by Craig Hultgren as part of the 2001 Hultgren Solo Cello Works Biennial.

Aria from Louise: the Story of a Magdalen, a full length opera with libretto by Sally M. Gall, performed on August 10, 2001 by soprano Darla Brooks Mosteller and pianist Paul Mosteller at the Plymouth Congregational Church in Birmingham Alabama.

drowningXnumbers for amplified cello performed on Tuesday, September 11, 2001 at 7:30 pm in the Recital Hall of Georgia State University in Atlanta as part of the neoPhonia Series; and on Monday, September 17th at 7:30 pm in Huey Recital Hall of the University of Alabama in Tuscaloosa by Craig Hultgren as part of the 2001 Hultgren Solo Cello Works Biennial. All performances were free and open to the public. The audience in attendance at the conclusion of each concert voted to award the $1,000 Birmingham Prize, the $1,000 Atlanta Prize, and the $500 Tuscaloosa Prize. Hindman won the Atlanta Prize.

Forward Looking Back, a suite for piano, performed on Sept. 9, 2001 at 2:30 pm by pianist Adam Bowles in recital at Birmingham-Southern College’s Hill Recital Hall.

Echo for horn solo performed on Saturday, November 10th at 3:00 pm on the Phillips Center for the Performing Arts Black Box Theater by Paul Basler as part of the Society of Composers, Inc. Region IV Conference.

Pandora’s Box, a youth opera for elementary school choir and piano, premiered on February 5, 2000 by the combined choirs of the Clay and Chalkville Elementary Schools at the Youth Opera Theater Conference: 2000, jointly presented by Opera for Youth, Inc., Birmingham-Southern College, and The Altamont School. Virginia Carlisle conducted and Kathy Starrett accompanied. Pandora’s Box was commissioned by Opera for Youth, Inc. for premiere at the conference.

fin de cycle for muted piano and tape performed at 11:00 am on March 18, 2000 on the College Music Society’s Women and Music Technology Conference at Agnes Scott College. Laura Gordy, who commissioned the work, performed.

From Censer Smoke… for soprano, flute, violin, guitar and piano performed at 7:30 pm on March 20, 2000 on the Birmingham Art Music Alliance’s third concert of the season at the University of Alabama-Birmingham’s Reynolds-Kirschbaum Recital Hall. Performers were Jacqueline Leary-Warsaw, soprano, Donald Ashworth Jr., flute, Emily Cotney, violin, Eric Posey, guitar, and Dorothy Hindman, piano.

With sighs too deep for words… for cello and orchestra performed on April 6, 2000 by Craig Hultgren and the Gadsden Symphony Orchestra at First Baptist Church in Gadsden, AL. Thomas Hinds conducted. With sighs too deep for words was jointly commissioned by Hultgren, Hinds and the Gadsden Symphony Orchestra.

Fury’s Chalice for wind octet performed at 7:30 pm on April 18, 2000 on the Birmingham Art Music Alliance’s fourth concert of the season at Samford University’s Wright Center Recital Hall. Performers were Donald Ashworth Jr. and Rebecca Remley, flutes, Cameron Kirkpatrick and Teresa Furlough, oboes, Jim Jensen, clarinet, Lori Neprud-Ardovino, bass clarinet, Kevin Kozak, horn and Jack Sharp, bassoon. Dorothy Hindman conducted.

drowningXnumbers for amplified cello performed on May 1, 2000 by Craig Hultgren as part of a concert featuring guest composer George Crumb at Birmingham-Southern College.

Pandora’s Box, a youth opera for elementary school choir and piano, performed at 7:30 pm on Thursday, May 25, 2000 by the Intermediate Department of the Donoho School in Anniston, AL.  The choir was directed by Mr. Keith LaBenne, and performers included members of the fourth, fifth and sixth grade classes.

Forward Looking Back for piano and Three Songs of Reminiscence for tenor and piano were performed on June 17, 2000 by tenor David Smith and pianist Kevin Grigsby as part of a concert at the City Stages Music Festival. The concert was held at the New Arts Stage and also featured works by Charles Norman Mason.

Magic City in moto perpetuo for orchestra performed in a public reading on August 11, 2000 by the Women’s Philharmonic Orchestra at San Jose State University Concert Hall. Karen Nixon Lane was the guest conductor.

Of the Father’s Love Begotten, an arrangement of the traditional hymn for SATB and organ, performed on the 64th Annual Service of Lessons and Carols on December 1 and December 3, 2000 by the Southern Chorale of Birmingham-Southern College at Canterbury United Methodist Church in Birmingham. Dr. David Smith was the conductor.

Three Songs of Reminiscence for tenor and piano performed by David Smith, tenor and Kevin Grigsby, piano, January 26, 1999, Birmingham Art Music Alliance concert, Unitarian Universalist Church, Birmingham, AL.

fin de cycle for piano and tape performed by Lee Dunleavy on a Monday in February 1999 at 1pm in the Denis Arnold Hall at the faculty of music. Date to be announced.

Dances for clarinet, marimba, and piano performed by Lori Neprud-Ardovino, clarinet, Eric Hollenbeck, marimba, and Kevin Grigsby, piano, May 10, 1999, Birmingham Art Music Alliance concert, Samford University, Birmingham, AL.

Setting Century for flute, clarinet, violin, cello, and piano performed by Donald Ashworth Jr., flute, Lori Neprud-Ardovino, clarinet, Sergei Tanas, violin, Craig Hultgren, cello, and Kevin Grigsby, piano, October 19, 1999, Birmingham Art Music Alliance, Birmingham-Southern College, Birmngham, AL

Setting Century premiere, Birmingham-Southern College, AL

Magic City in moto perpetuo for orchestra performed by the University of Miami Symphony Orchestra, Jennifer E. Osborne conducting, November 11, 1999, Society of Composers, Inc. Region IV Conference, Miami, FL

fin de cycle for piano and tape performed on the Society of Composers, Inc. Region IV Conference at Georgia State University in Atlanta on Feb. 21, 1998 at 2:00 pm.

fin de cycle for piano and tape performed in Atlanta on Feb. 27 as part of the Emory Wind Ensemble’s tribute to women composers. Time and location TBA. Performing was contemporary pianist Laura Gordy of the Thamyris New Music Ensemble.

Three Songs of Reminiscence for tenor and piano premiered by David Smith in recital at Birmingham-Southern College on March 22, 1998 at 2:30 pm in Hill Recital Hall. The songs were commissioned by Smith to be written on his own texts.

I Have Heard… for a capella choir on a text by Walt Whitman performed on the Society of Composers, Inc. 1998 National Conference, taking place at Indiana University from April 15 – 18, hosted by Don Freund. The conference featured approximately nine concerts of new music over four days.

I Have Heard… performed on a concert of works for choral ensembles on Saturday, April 18 at 1:00 pm in Auer Hall.

Trembling for solo flute premiered on the Birmingham Art Music Alliance’s fifth concert of the 1997-1998 season at the Hoover Library Theater in Birmingham on July 22, 1998 at 7:30 pm. Donald Ashworth, for whom the work was written, performed it.
Suggested donation: $6 general, $3 students.

Echo performed at 8:00 pm on January 13, 1997 at Birmingham-Southern College on the Birmingham Art Music Alliance’s second concert of the season.
Paul Basler was in residency to perform the work, and also held a workshop for composers on extended techniques for French horn.

I Have Heard… for a capella choir on a text by Walt Whitman premiered by The Gregg Smith Singers on February 15 in New York City at St. Stephens Church.

I Have Heard… performed by The Gregg Smith Singers on February 24 at 7:30 pm in Birmingham-Southern College’s Hill Hall.

Echo performed at 4:00 pm on March 7 at the 1997 Society of Composers, Inc. National Conference held at Florida International University in Miami from March 5 – 8, 1997. Paul Basler performed the work

Soliloquy for solo clarinet performed on the Birmingham Art Music Alliance’s third concert of the season, to be held at the University of Alabama in Birmingham at 8:00 pm on March 10, 1997. Lori Neprud-Ardovino was the performer.

drowningXnumbers for amplified cello performed by cellist Hugh Livingston on March 14, 1997 at 8:00 pm at Birmingham-Southern College’s Hill Hall, University of Tennessee, Chattanooga, Harvard University, and Tufts University on the “Year of the Woman” Conference

Dances for clarinet, marimba and piano had its premiere performance on April 10, 1997 on the American Originals series in Fairbanks, Alaska. Also featured on the program were Hindman’s works Fury’s Chalice for wind octet, Chemistry for chamber orchestra, Soliloquy for clarinet, and Echo for horn, and works by Charles Norman Mason, including a premiere of his separately commissioned work, Kat-E-Wi-Key for the same trio.

Also on April 10, drowningXnumbers for amplified cello performed at the University of Montevallo at 7:30 pm in LeBaron Recital Hall on a concert given by the Contemporary Music Ensemble. Cellist Craig Hultgren, for whom the work was written, presented the work.

fin de cycle for muted piano and tape received its premiere performance on May 18, 1997 at 3:00 pm on The Future is Here, an all-premieres program on the Thamyris New Music Ensemble’s 1996-97 season in Atlanta, GA. Location: Emory University Performing Arts Studio.
Thamyris’ resident pianist Laura Gordy, who commissioned the work, gave the premiere.
Tickets $10 at the door. For more information, call (404)-651-3676.

fin de cycle for muted piano and tape performed on the Birmingham Art Music Alliance’s Concert IV of the 1996-97 season, on July 21 at 7:30 pm at the Hoover Library Theater in Birmingham, Alabama. Laura Gordy of the Thamyris New Music Ensemble, for whom the work was written, performed.

I Have Heard… for a capella choir on a text by Walt Whitman is scheduled for performance on the Birmingham Art Music Alliance’s first concert of the 1997-1998 season. The program of mostly choral works featuring The Cantors under the direction of Timothy Banks held on October 7, 1997 at 7:30 pm at Samford University in Birmingham, Alabama, and will feature the Samford University Choir. Suggested donation: $6 general, $3 students.

Chemistry for small chamber orchestra performed on the Industrial Funk concert presented by the Alabama Symphony’s chamber music series on October 9, 1997 at 7:30 pm in Birmingham-Southern College’s Hill Recital Hall, Mark Gibson conducting.

drowningXnumbers for amplified cello performed by cellist Craig Hultgren on the Band Thamyris concert Sunday, October 12, 1997 at 7:30 pm at Georgia State University, Old Recital Hall. This performance of drowningXnumbers will include its video counterpart, created by Leisha Hultgren.
Admission is $10 general, $5 students. For information, call (404) 351-8144.

fin de cycle for piano and tape performed as part of SEAMUS’ National Electro-Acoustic Week on a concert at Birmingham-Southern College’s Hill Recital Hall, November 10, 1997 at 7:30 pm. Atlanta pianist Laura Gordy, for whom fin de cycle was written, performing.
Admission is free.

fin de cycle for piano and tape will also be presented on November 16, 1997 on Thamyris New Music Ensemble’s The Wired Pianist program, featuring pianist Laura Gordy.

Echo for solo horn premiered at 9:00 am on October 4, 1996 at the Society of Composers, Inc. Region IV Annual Conference held this year in St. Petersburg, FL, October 3 – 5. Hornist and composer Paul Basler, for whom Echo was written, performed the work. The conference was hosted by the Tampa Bay Composers’ Forum.

drowningXnumbers for amplified cello performed in Romania by cellist Serban Nichifor on October 5, 1996 at 7:00 pm on the Toamna Muzicala Clujeana. Duo “Intermedia”, featuring Nichifor and his wife, composer Liana Alexandra, presented a joint recital of new works for cello and piano on this festival presented by the Filarmonica De Stat;Transilvania;.

drowningXnumbers for amplified cello performed by cellist Hugh Livingston on November 2, 1996 at 8 pm on A Concert of New Music and a Sixtieth Birthday Celebration for Elliott Schwartz, presented by the National Association of Composers, USA. The concert held at the University Theatre of California State University, Dominguez Hills.